In this weave, nature played a huge part in the colour perception. Different shades of green were just an experimentation to see if the different textures and colour could possibly relate to my leaf drawing. This sample was mostly an experimental, as you can tell by the little hoops within the weave. The technique does not link anyhow with my object. However, by looking at the negative space around the leaf, it inspired me to carry out the circle shape onto the weave.
To develop
my ability to remember which construction process I used for a certain pattern,
I started noting down where each shaft should be and for how long throughout
the process. This increased my ability and knowledge to work quicker and
improve the quality of my weaving samples. Colour pallets were also a huge help
as I was able to gather material I needed and how much I intended to use.
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